Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music. He hosts NPR's classical music blog Deceptive Cadence.

A regular contributor of stories about classical music on NPR's news programs, Huizenga regularly introduces intriguing new classical CDs to listeners on the weekend version of All Things Considered. He contributes to NPR Music's "Song of the Day."

During his time at NPR, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music magazine Performance Today, and for the programs SymphonyCast and World of Opera. He produced the live broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center, concerts from NPR's Studio 4A and performances on the road at Summerfest La Jolla, the Gilmore International Keyboard Festival and New York's Le Poisson Rouge.

Huizenga's radio career began at the University of Michigan, where he graduated in 1986. During his four year tenure, he regularly hosted several radio programs (opera, jazz, free-form, experimental radio) at Ann Arbor's WCBN. As a student in the Enthnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

After college Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, MD, with his wife Valeska Hilbig, a public affairs director at the Smithsonian. In his spare time he writes about music for the Washington Post, overloads on concerts and movies and swings a tennis racket wildly on many local courts.

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Deceptive Cadence
4:08 pm
Fri May 24, 2013

The Cocktail Party Guide To Igor Stravinsky

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Don't be caught "Stravinsky deficient" as the big centennial of his Rite of Spring approaches.
Time & Life Pictures/Getty Images

Originally published on Fri May 24, 2013 4:21 pm

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Tiny Desk Concerts
9:56 am
Thu May 23, 2013

Imani Winds: Tiny Desk Concert

Imani Winds performs a Tiny Desk Concert in February 2013.
Marie McGrory NPR

Originally published on Fri June 13, 2014 9:49 am

Editor's note: We're sorry.The video has been removed from this page.

When Igor Stravinsky began composing The Rite of Spring, his ballet for vast symphonic forces, he could hear the music in his head but couldn't quite figure out how to write it down. It was just too complicated.

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Deceptive Cadence
12:08 pm
Tue May 21, 2013

Gods And Monsters: 5 Unforgettable Wagner Moments

The Valkyries, led by Brunnhilde (soprano Debra Voigt, lower left), are the warrior maidens of Richard Wagner's epic Ring cycle.
Ken Howard Metropolitan Opera

Originally published on Wed May 22, 2013 4:02 pm

  • William Berger on 'Parsifal'
  • William Berger on 'Das Rheingold'
  • William Berger on 'Die Walküre'
  • William Berger on 'Tristan und Isolde'
  • William Berger on 'Die Meistersinger'

How much do you know about Richard Wagner? Probably two unfavorable facts: He wrote very long, grandiose operas and was Hitler's favorite composer. As true as they are, those simple examples barely hint at the complexity of this endlessly creative and confounding artist.

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Deceptive Cadence
2:43 pm
Thu May 9, 2013

Moms In Opera: Women On The Edge

Mozart's Queen of the Night (portrayed here by soprano Diana Damrau), in his The Magic Flute, is one of opera's more intense mothers.
AFP/Getty Images

Originally published on Wed May 7, 2014 3:40 pm

We love mothers for all the Hallmark reasons: for their compassion and patience, not to mention giving birth. But some moms aren't exactly greeting card friendly — and none less so than those who live in the opera house.

This is opera, after all, so we expect the outrageous. But operatic moms seem to be disproportionately portrayed as murderers, harpies or generally women on the verge of a nervous breakdown. Your Normas, Medeas, Butterflies, Queens of the Night and Clytemnestras.

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Deceptive Cadence
12:22 pm
Tue April 23, 2013

Music We Love Now: Three Must-Hear Piano Albums

Ingolf Wunder pays tribute to 300 years of keyboard music on his new album 300.
Patrick Walter

The young Austrian pianist Ingolf Wunder shines in Mozart, Jorge Federico Osorio reintroduces an intoxicating Mexican concerto and Elisveta Blumina reveals the gentle side of Ukrainian composer Valentin Silvestrov.

Deceptive Cadence
3:09 pm
Wed April 17, 2013

The Conductor Who Gained Power By Giving It Up

Colin Davis found power in humility later in his career — and one astonished music journalist.
Alberto Venzago

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Deceptive Cadence
2:42 pm
Tue April 9, 2013

Can Yo-Yo Ma Fix The Arts?

Yo-Yo Ma and pianist Cristina Pato perform during Ma's Nancy Hanks Lecture on Arts and Public Policy at Washington, D.C.'s Kennedy Center.
David Hathcox/Americans for the Arts

Originally published on Wed April 10, 2013 11:54 am

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Deceptive Cadence
8:37 pm
Sat April 6, 2013

Vespers, Habaneras And Early Morning Walks: New Classical Albums

The Attacca String Quartet's latest album celebrates John Adams.
Lisa-Marie Mazzucco

Originally published on Sun April 7, 2013 6:52 pm

Robert Frost's famous poem "The Road Not Taken" begins with the line: "Two roads diverged in a yellow wood." Frost's traveler must choose between them. But slide that metaphor over to the world of classical music and you will discover hundreds of paths to explore.

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Deceptive Cadence
6:17 pm
Thu March 28, 2013

The Good Friday 5: Musical Passion Stories You Must Hear

This 1653 engraving by Rembrandt inspired composer Frank Martin to write his oratorio Golgotha in 1945.
Wikimedia Commons

For Christians around the world, this week, leading up to Easter Sunday, is one of the most meaningful in the religious calendar. The dramatic story of Jesus' final days, as related in the four Gospels of the New Testament, has been meaningful for composers, too, and a rich source for many musical settings of the Passion story. J.S. Bach is still the benchmark when it comes to composing Passions. His St.

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Deceptive Cadence
12:44 pm
Tue March 12, 2013

Tell Us: Are Ballet And Opera Elitist?

In an age when we are hearing more music than ever, are opera and ballet elitist?
Carolina K. Smith iStockphoto.com

Originally published on Tue March 12, 2013 1:10 pm

It's a question virtually as old as the art forms themselves: Are ballet and opera elitist?

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