Tom Huizenga

We love mothers for all the Hallmark reasons: for their compassion and patience, not to mention giving birth. But some moms aren't exactly greeting card friendly — and none less so than those who live in the opera house.

This is opera, after all, so we expect the outrageous. But operatic moms seem to be disproportionately portrayed as murderers, harpies or generally women on the verge of a nervous breakdown. Your Normas, Medeas, Butterflies, Queens of the Night and Clytemnestras.

The young Austrian pianist Ingolf Wunder shines in Mozart, Jorge Federico Osorio reintroduces an intoxicating Mexican concerto and Elisveta Blumina reveals the gentle side of Ukrainian composer Valentin Silvestrov.

Robert Frost's famous poem "The Road Not Taken" begins with the line: "Two roads diverged in a yellow wood." Frost's traveler must choose between them. But slide that metaphor over to the world of classical music and you will discover hundreds of paths to explore.

For Christians around the world, this week, leading up to Easter Sunday, is one of the most meaningful in the religious calendar. The dramatic story of Jesus' final days, as related in the four Gospels of the New Testament, has been meaningful for composers, too, and a rich source for many musical settings of the Passion story. J.S. Bach is still the benchmark when it comes to composing Passions. His St.

It's a question virtually as old as the art forms themselves: Are ballet and opera elitist?

Ah, the joys of Monday morning quarterbacking, classical style.

Is there some kind of weird vocal vortex in Minnesota? The state turns out so many excellent choral groups — at the school, church and professional levels — that it can arguably be dubbed the choral center of the U.S.

The members of the male vocal ensemble called Cantus, who huddled around Bob Boilen's desk to sing for us, hail from that vortex — specifically Minneapolis-St. Paul.

From mezzo-soprano Cecilia Bartoli's ambitious revival of the early Baroque composer Agostino Stefani (and yes, she's got another outrageous album cover) to three very different roles for the violin, here's a clutch of classical albums I returned to again and again this year for sheer delight and aural inspiration. Bartoli lavishes extravagant attention on the music of a fascinating but forgotten link in the history of opera.

Cecilia Bartoli has a passion for musical archaeology: "I am the Indiana Jones of classical," she says jokingly to All Things Considered host Robert Siegel.

Bartoli rummages through music history to uncover forgotten opera composers deserving of her detailed and dramatic performances. Her new album, Mission, introduces her most recent "find," the late-17th-century Italian Agostino Steffani.

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