Fresh Air

M-Th 7p
  • Hosted by Terry Gross

Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.

picture of Terry Gross
Fresh Air's Terry Gross
Credit Will Ryan

Terry Gross hosts this multi-award-winning daily interview and features program. The veteran public radio interviewer is known for her extraordinary ability to engage guests of all dispositions.

Portland, Ore. tenor saxophonist Rich Halley's quartet album Crossing the Passes on his Pine Eagle label commemorates a week-long trek over the Wallowa mountain range in Northeast Oregon, where Halley's been climbing since he was a boy. We could talk about his dual obsessions with music and nature as cultivating a love of wide-open improvisational spaces; he's got one band that only plays outdoors. But all that climbing also has practical benefits: It builds lung-power.

When Alfredo Corchado went to cover Mexico for The Dallas Morning News, he was determined not to focus on drugs and crime but rather to cover issues critical to the country's future — immigration, education and the economy.

The FX version of the Scandinavian series The Bridge, like the Showtime version of the Israeli TV series that inspired Homeland, is a major revamp as well as a crucial relocation. With Homeland, the focus became American politics and home-soil terrorism. In The Bridge, premiering July 10, the setting is changed to the U.S.-Mexico border. This allows executive producer Meredith Stiehm, a writer-producer from Homeland, to deal with everything that relocation provides — including the white-hot issues of immigration reform and border security.

In the new Showtime series Ray Donovan, Liev Schreiber stars in the title role as a man who knows how to handle a crisis. It's Donovan's job to clean up the messes of Hollywood's rich and powerful while trying to keep his own personal problems under wraps.

A TV series is something of a new turn for Schreiber, who's been acting onstage and in movies for two decades. But playing complicated characters is something he's earned a reputation for, with roles in films like Defiance and The Manchurian Candidate.

One major source of pleasure in the music Eleanor Friedberger makes as half of The Fiery Furnaces is a matter of sheer density — the density of The Fiery Furnaces' musical ideas, the thick layers of words, lyrics that operate as dense sounds with meaning to be extracted from them.

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors and musicians, and often includes excerpts from live in-studio concerts. This week:

This interview was originally broadcast on Jan. 16, 2013.

In December, the actor Dustin Hoffman sat in a box seat at the Kennedy Center as his old friend, Robert De Niro, saluted him at a celebration marking one of the highest accolades for an artist in the United States: a Kennedy Center Honor.

This interview was originally broadcast on March 28, 2013.

When Mad Men premiered in July 2007, the character of Peggy Olson was introduced to audiences as Don Draper's naive young secretary. In the seasons that have followed, Peggy has slowly become a talented copywriter and Don's protege, meanwhile trying constantly to create a place for herself in the male-dominated world of advertising. Her development has been a centerpiece of the series.

Elisabeth Moss, who plays Peggy, says she has learned about the character and her growth episode by episode, script by script, just like those of us who watch the show on television.

We're at the point when Johnny Depp's dumbest whims can lead to movies costing $200 million. I imagine Depp lying in a hammock on his private island and saying, "I've always wanted to play Barnabas Collins in Dark Shadows!" and it's done. Then he says, "I've always wanted to do The Lone Ranger — but as Tonto!" and it, too, gets the green light.

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