Tom Huizenga

Tom Huizenga is a music producer, reporter and blogger for NPR Music. He hosts NPR's classical music blog Deceptive Cadence.

A regular contributor of stories about classical music on NPR's news programs, Huizenga regularly introduces intriguing new classical CDs to listeners on the weekend version of All Things Considered. He contributes to NPR Music's "Song of the Day."

During his time at NPR, Huizenga spent seven years as a producer, writer and editor for NPR's Peabody Award-winning daily classical music magazine Performance Today, and for the programs SymphonyCast and World of Opera. He produced the live broadcast of Gershwin's Porgy & Bess from Washington National Opera at the Kennedy Center, concerts from NPR's Studio 4A and performances on the road at Summerfest La Jolla, the Gilmore International Keyboard Festival and New York's Le Poisson Rouge.

Huizenga's radio career began at the University of Michigan, where he graduated in 1986. During his four year tenure, he regularly hosted several radio programs (opera, jazz, free-form, experimental radio) at Ann Arbor's WCBN. As a student in the Enthnomusicology department, Huizenga studied and performed traditional court music from Indonesia. He also studied English Literature and voice, while writing for the university's newspaper.

After college Huizenga took his love of music and broadcasting to New Mexico, where he served as music director for NPR member station KRWG, in Las Cruces, and taught radio production at New Mexico State University.

Huizenga lives in Takoma Park, MD, with his wife Valeska Hilbig, a public affairs director at the Smithsonian. In his spare time he writes about music for the Washington Post, overloads on concerts and movies and swings a tennis racket wildly on many local courts.

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Deceptive Cadence
8:03 am
Thu October 24, 2013

Soothing The Savage Beat: When Electronic Artists Conjure Classical

Electronic artists such as Mason Bates (pictured above), Aphex Twin and Tiësto have blended classical music into their dance beats.
Courtesy of the artist

Originally published on Thu October 24, 2013 10:19 am

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Deceptive Cadence
3:56 pm
Wed October 9, 2013

Act Like You Know: Giuseppe Verdi

Don't be caught fishing for facts about Verdi on the bicentennial of his birth.
Getty Images/DeAgostini

Originally published on Tue November 19, 2013 11:52 am

It's that time of year again when freshly steamed curtains are rising on opera stages across the country, introducing another new season of performances. And this time, one composer will be popping up more than usual — Giuseppe Verdi.

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Deceptive Cadence
8:51 am
Mon October 7, 2013

Guest DJ Angela Meade: Hitting The Big Time With Help From Verdi

Soprano Angela Meade made her professional debut in the role of Elvira in Verdi's Ernani at the Metropolitan Opera.
Marty Sohl Metropolitan Opera

Originally published on Fri October 11, 2013 1:23 pm

Most opera singers work their way to the big league by singing bit parts in regional opera houses. Not soprano Angela Meade. She landed on top instantly with her professional debut in the lead soprano role of Giuseppe Verdi's Ernani at New York's Metropolitan Opera in 2008.

It was a dream come true. The star soprano took ill and the understudy, Meade, was suddenly shoved into the spotlight. The press said she sang "like an old pro from start to finish."

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Tiny Desk Concerts
6:20 am
Sat October 5, 2013

Lawrence Brownlee: Tiny Desk Concert

Lawrence Brownlee performs a Tiny Desk Concert in June 2013.
Hayley Bartels NPR

Originally published on Mon December 23, 2013 6:07 pm

These days, Lawrence Brownlee spends most of his time on the stages of the world's great opera houses. That's where you'll find him singing Rossini and Donizetti. His supple, strong, high-flying voice can negotiate the tightest hairpin turns with grace and elegance; that, and his ability to command the stage as an actor, has won Brownlee the praise of critics worldwide.

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Deceptive Cadence
5:46 pm
Sun September 8, 2013

Banjos, Bartók And La Belle Époque: New Classical Albums

Caleb Burhans debut album as a composer is called Evensong.
Courtesy of the artist

Originally published on Mon December 9, 2013 12:34 pm

People ask why I thrive on classical music, and I tell them it's all about discovery. The possibilities for finding incredible music, both old and new, are endless as the oceans.

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Deceptive Cadence
9:12 am
Wed August 28, 2013

Singing And Sandwiches For A Tenor's Centennial

New York native Richard Tucker in the title role of Offenbach's The Tales Of Hoffmann.
Sedge LeBlang Metopolitan Opera Archives

Originally published on Wed August 28, 2013 10:21 am

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Deceptive Cadence
2:09 pm
Tue August 13, 2013

Why Are American Orchestras Afraid Of New Symphonies?

David Robertson, a passionate champion of new music, conducts the St. Louis Symphony Orchestra on tour in Berlin.
Dilip Vishwanat St. Louis Symphony

Originally published on Tue August 20, 2013 12:22 pm

  • The American Symphony: Music And Ideas With David Robertson

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Deceptive Cadence
5:01 pm
Thu August 1, 2013

5 American Symphonies You Should Know

Robert Spano, music director of the Aspen Music Festival and School, conducts the Aspen Chamber Symphony. He is a fan of the Third Symphony by Aaron Copland.
Alex Irvin

It's not quite the quest for the Holy Grail, but we're in pursuit this summer of the "Great American Symphony." And in many respects, our journey is just as important as our destination.

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Tiny Desk Concerts
8:03 am
Sat July 27, 2013

Time For Three: Tiny Desk Concert

Time For Three performs a Tiny Desk Concert.
NPR

Originally published on Mon December 23, 2013 6:20 pm

Pigeonholing the classically trained string trio Time for Three isn't easy, but that's also a blessing. The musicians — violinists Zachary De Pue and Nick Kendall with double bassist Ranaan Meyer — say they love a kaleidoscopic spectrum of music. "If we like it, we play it" is their motto.

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Deceptive Cadence
1:27 pm
Mon July 22, 2013

Licia Albanese: An Opera Diva Hits 100

Soprano Licia Albanese sang the title role in Puccini's Madama Butterfly 72 times at the Metropolitan Opera.
The Metropolitan Opera Archives

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