Bob Boilen

In 1988, a determined Bob Boilen started showing up on NPR's doorstep every day, looking for a way to contribute his skills in music and broadcasting to the network. His persistence paid off, and within a few weeks he was hired, on a temporary basis, to work for All Things Considered. Less than a year later, Boilen was directing the show and continued to do so for the next 18 years.

Significant listener interest in the music being played on All Things Considered, along with his and NPR's vast music collections, gave Boilen the idea to start All Songs Considered. "It was obvious to me that listeners of NPR were also lovers of music, but what also became obvious by 1999 was that the web was going to be the place to discover new music and that we wanted to be the premiere site for music discovery." The show launched in 2000, with Boilen as its host.

Before coming to NPR, Boilen found many ways to share his passion for music. From 1982 to 1986 he worked for Baltimore's Impossible Theater, where he held many posts, including composer, technician, and recording engineer. Boilen became part of music history in 1983 with the Impossible Theater production Whiz Bang, a History of Sound. In it, Boilen became one of the first composers to use audio sampling — in this case, sounds from nature and the industrial revolution. He was interviewed about Whiz Bang by Susan Stamberg on All Things Considered.

In 1985, the Washington City Paper voted Boilen 'Performance Artist of the Year.' An electronic musician, he received a grant from the Washington D.C. Commission on the Arts and Humanities to work on electronic music and performance.

After Impossible Theater, Boilen worked as a producer for a television station in Washington, D.C. He produced several projects, including a music video show. In 1997, he started producing an online show called Science Live for the Discovery Channel. He also put out two albums with his psychedelic band, Tiny Desk Unit, during the late 1970s and early 1980s. Boilen still composes and performs music and posts it for free on his website BobBoilen.info. He performs contradance music and has a podcast of contradance music that he produces with his son Julian.

Longtime NPR fans may remember another contribution Boilen made to NPR. He composed the original theme music for NPR's Talk of the Nation.

The Bots' members are brothers and bandmates whose playful, catchy songs rock hard. Singer-guitarist Mikaiah Lei is 21 and drummer Anaiah Lei is 17; they made their first album when they were 15 and 12, respectively. Pink Palms is their newest and best.

My admiration for Jackson Browne began with his first album in 1971. I was wowed by the fact that the singer-songwriter had worked with Nico of Velvet Underground fame — his girlfriend at the time — on her first album, Chelsea Girl. He wrote one of my favorite songs on that record, "These Days."

There's something heartwarming about a family making music together. I'm especially sentimental when I see a father with a son, because my son and I made music in contra dance bands and Irish sessions as he grew up.

Years ago, while interviewing Jeff Tweedy before a Wilco concert, I asked him if he'd made music with his kids. He told me about going to his son Spencer's preschool class and writing a tune with all the kids; "Monkey Mess" was their final creation.

Barbra Streisand, one of the most loved singers of all time and the best-selling female recording artist ever (according to RIAA statistics) has teamed up with the ever soulful, gospel-inspired singer John Legend on a song she originally recorded with Bee Gees singer and songwriter Barry Gibb in 1980.

We threw a curve ball at Justin Townes Earle. Despite his five albums full of well-loved songs, we asked him to play new material for this Tiny Desk Concert; songs we hadn't yet heard. Earle's new album Single Mothers comes out this week, and here he performs two tracks from that record: "White Gardenias," his nod to Billie Holiday, and "Burning Pictures."

These days, Jessica Lea Mayfield is all contrasts, starting with the way she sets her wistful voice against her shimmering guitar. It's got a harder edge to it than the rootsier music of her past. Then there's that cotton-candy hair and all the glitter; her guitar glitters, her eyes glitter, her shoes glitter. It's easier to talk about what isn't glittered — and mostly that'd be her lyrics. In the final song from both her album Make My Head Sing...

What immediately attracted me to Trampled by Turtles when I first saw the band was its speed, but the Minnesotans are about more than just blistering bluegrass. They also write beautiful, heartfelt folk-pop songs, as this Tiny Desk Concert demonstrates.

All three of these tunes come from Trampled By Turtles' new eighth album, Wild Animals. Watching the band gathered around one mic seemed perfectly right.

Set List

  • "Come Back Home"
  • "Winners"
  • "Lucy"

Credits

Rodrigo Amarante has made the year's tenderest record. Cavalo is sonically rich and spare at the same time: Every instrument breathes and every sound blends, yet every moment is distinct. At Cavalo's core are heartfelt songs and Amarante's sweet, smoky voice.

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