Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

In 2007, the Canadian music critic Carl Wilson published a book-length experiment in extreme aesthetic sport: a sincere and shockingly comprehensive study of music he had already decided he hated. That book, Let's Talk About Love, named for the Celine Dion album it studied, has become a cornerstone text in the school of criticism known as "poptimism," because it treats seemingly disposable pop music as worthy of serious thought.

On Friday, March 14, Lady Gaga gave the keynote at SXSW 2014, a long interview conducted by John Norris that covered her career in pop, from her roots in the rock clubs of downtown New York to her decision to partner with a corporate sponsor for the concert she performed at Stubb's the night before. (You can see the complete video of the interview on this page.)

NPR Music's Ann Powers was in Austin for the keynote, and she filed this report.

The last thing anyone would say about South By Southwest is that it's an avenue for self-improvement. The annual mega gathering, which began last week for film and interactive-technology mavens and turns into a music conference and festival tomorrow, fulfills many needs for the culture nerd. Communal bonding? Yes – somewhere around 100,000 people will wander the Austin streets looking to high-five each other during this time. Fun? For sure.

The most romantic scene from any of this year's Oscar-nominated films begins with a deliciously idiosyncratic pickup line. At a swinger's pool party in 1978, a flabby yet still somehow alluring Christian Bale gently grabs the arm of Sydney Prosser, played by Amy Adams at her most wide-eyed and guileful. "Is that Duke Ellington on your bracelet?" he murmurs.

This week, the rock band Imagine Dragons set a record for the longest run on Billboard's Hot 100 singles chart — 77 weeks, since it debuted in August of 2012.

How many choruses does it take to turn a party song into an engine causing social change? Is it possible to honor American cultural traditions while dismantling the traps and habits that make them restrictive? Every so often a new voice engages these basic questions in subtle, exciting new ways. Alynda Lee Segarra, the 27-year-old guiding light of the New Orleans-based band Hurray For The Riff Raff, is this year's champion.

The Knife On 'Shaking' Expectations

Jan 1, 2014

12 Years a Slave is the most compelling film about music to be released this year, maybe this century. It's so many other things, too, as others have noted: a corrective to the weird cocktail of piety and cartoonishness that Hollywood usually supplies when depicting slavery; a gorgeous art film and an actor's hellish paradise; a cultural highlight of the Obama administration.

Onstage at Nashville's tiny Station Inn, the multiplatinum-selling country veteran Alan Jackson announced that he was nervous. He had reason to be, considering that the music-bizzers who'd scored one of the night's 150 tickets were sitting cheek-to-jowl with regulars, all diehard bluegrass fans. He was there to celebrate his first-ever bluegrass album (out September 24), and right away he made a point of proclaiming that he's really not very fond of dirt roads.

That guy Prince has a sense of humor.

One of the Twitter hashtags devised by rabid Beyonce fans before last night's Super Bowl halftime show was religious in nature: #praisebeysus. Praise Beysus! This bit of hyperventilating resonated in interesting ways. Strutting into the very center of America's biggest television spectacle, the 31-year-old superstar intended to secure her place in the musical pantheon next to recent Super Bowl-approved legends Madonna, The Who, Bruce Springsteen and Prince.

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