Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

Digital Underground

Jun 3, 2015

The music sharing platform imeem thrived from 2004 until its shuttering in 2009 as a safe haven in the wilds of the semi-legal Internet. It was Napster without the piracy, a legal space for music makers and fans to share bedroom composition, videos of their latest dance moves, and the latest streamed — not downloaded — hits.

Rickie Lee Jones needs no introduction. Seriously. The singer-songwriter is so elementally articulate, so gifted at grasping both the rawest and the most complicatedly cooked emotions in her compositions, that critical framing best comes after the experience of listening to her.

The nominees for the 2015 Americana Honors and Awards were announced today at the Country Music Hall of Fame and Museum in Nashville. This year's slate shows how the definition of Americana is gently expanding to include more generationally, racially and stylistically diverse stars, while remaining grounded in its country-leaning, singer-songwriter-dominated definition of roots music.

Sympathy For The Devils

Feb 28, 2015

It's been five years since Kanye West raised his glass to "the a--holes" in the song "Runaway," a poetic taxonomy of bad behavior that formed the emotional center of his masterwork My Beautiful Dark Twisted Fantasy. It's a sad song about romantic failure, but also a strong statement connecting West to popular music's longstanding practice of being dangerously outrageous.

What does it take for a work of art to become an intervention? In music, any reinterpretation alters the original, if only because different fingerprints touch it. But certain lineages — folk music, for example — are built on the bones of those retellings. Whoever owns a song for a period of time connects it to her lived experience and the world in which she lives, and it changes. It might also change the world, or a small part of it.