Ann Powers

Ann Powers is NPR Music's critic and correspondent. She writes for NPR's music news blog, The Record, and she can be heard on NPR's newsmagazines and music programs.

One of the nation's most notable music critics, Powers has been writing for The Record, NPR's blog about finding, making, buying, sharing and talking about music, since April 2011.

Powers served as chief pop music critic at the Los Angeles Times from 2006 until she joined NPR. Prior to the Los Angeles Times, she was senior critic at Blender and senior curator at Experience Music Project. From 1997 to 2001 Powers was a pop critic at The New York Times and before that worked as a senior editor at the Village Voice. Powers began her career working as an editor and columnist at San Francisco Weekly.

Her writing extends beyond blogs, magazines and newspapers. Powers co-wrote Tori Amos: Piece By Piece, with Amos, which was published in 2005. In 1999, Power's book Weird Like Us: My Bohemian America was published. She was the editor, with Evelyn McDonnell, of the 1995 book Rock She Wrote: Women Write About Rock, Rap, and Pop and the editor of Best Music Writing 2010.

After earning a Bachelor of Arts degree in creative writing from San Francisco State University, Powers went on to receive a Master of Arts degree in English from the University of California.

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The Record
3:36 pm
Sun October 27, 2013

What Lou Reed Taught Me

Lou Reed onstage in Amsterdam in 1975.
Gijsbert Hanekroot Redferns

Originally published on Mon October 28, 2013 10:57 am

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The Record
3:01 pm
Wed September 18, 2013

Drake And Pop Music's Good Girl Problem

Drake performing in Paris last April.
David Wolff - Patrick Redferns via Getty Images

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The Record
12:23 am
Fri September 13, 2013

'90s Nostalgia Revisited: 6 Musicians We Miss

P.M. Dawn, sometime in the '90s.
Mick Hutson Redferns

Originally published on Fri September 13, 2013 8:11 am

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The Record
2:56 pm
Thu September 5, 2013

Innovation And Time-Honored Ways Meet On Nashville Stages

Eddie Stubbs (left), DJ at Nashville's WSM, and Alan Jackson onstage at The Station Inn last Tuesday.
Bill Thorup Courtesy of Universal Nashville

Onstage at Nashville's tiny Station Inn, the multiplatinum-selling country veteran Alan Jackson announced that he was nervous. He had reason to be, considering that the music-bizzers who'd scored one of the night's 150 tickets were sitting cheek-to-jowl with regulars, all diehard bluegrass fans. He was there to celebrate his first-ever bluegrass album (out September 24), and right away he made a point of proclaiming that he's really not very fond of dirt roads.

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The Record
3:32 pm
Thu August 15, 2013

Fall Pop Preview: A 'Roar' Of 'Applause' For New Music

ARTPOP, and Katy Perry released "Roar," from Prism." href="/post/fall-pop-preview-roar-applause-new-music" class="noexit lightbox">
This week, Lady Gaga (left) released the song "Applause," from her forthcoming album ARTPOP, and Katy Perry released "Roar," from Prism.
Courtesy of the artists

Originally published on Sun August 18, 2013 4:07 pm

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The Record
12:55 pm
Mon June 17, 2013

Don't Kill Your Idols: J. Cole Looks For His Place In Hip-Hop

Even the name of J. Cole's new album, Born Sinner, is a nod to the hip-hop lineage from which he descends: Biggie > Jay > J.
Courtesy of the artist

Originally published on Tue June 18, 2013 10:52 am

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The Record
5:11 am
Thu June 6, 2013

Country Music's Year Of The Woman

Miranda Lambert performing in April at the Academy of Country Music Awards, where she won best song, best record and best female vocalist for the fourth year in a row. The Lambert Effect has opened doors for many of the new hopefuls blending hard country sounds with feminist-aware attitudes.
Kevin Winter/ACMA2013 Getty Images for ACM

Originally published on Thu June 6, 2013 6:41 am

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The Record
11:48 am
Tue March 19, 2013

Lessons From SXSW 2013: Take The Middle Road

Natalie Maines (center) at Central Presbyterian Church in Austin, Texas during the SXSW Music Festival. Maines's band included her father, Lloyd Maines (seated left) and Ben Harper (seated right).
Mindy Best Getty Images

That guy Prince has a sense of humor.

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The Record
3:50 pm
Mon February 4, 2013

Listening To My Bloody Valentine Three Ways

My Bloody Valentine's Bilinda Butcher during the band's set at Coachella in 2009.
Kevin Winter Getty Images

Originally published on Tue February 26, 2013 4:29 pm

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The Record
10:55 am
Mon February 4, 2013

The Roots Of Beyonce's Super Bowl Spectacular

Beyonce performs during the Super Bowl halftime show Sunday night.
Ezra Shaw Getty Images

Originally published on Mon February 4, 2013 12:38 pm

One of the Twitter hashtags devised by rabid Beyonce fans before last night's Super Bowl halftime show was religious in nature: #praisebeysus. Praise Beysus! This bit of hyperventilating resonated in interesting ways. Strutting into the very center of America's biggest television spectacle, the 31-year-old superstar intended to secure her place in the musical pantheon next to recent Super Bowl-approved legends Madonna, The Who, Bruce Springsteen and Prince.

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